Where do I begin? Do I begin at the where?
Do I begin at the “Vaer (வேர்)”?
You know what I mean.
There was an audio cassette at home in the early 80s. It was titled “Crazy Thieves in Palavakkam”. And the only thing I remember from the audio recording of that stage play was the lead actor S.Ve.Shekher. It took a few years for me to learn more about the person behind the story of that stage play.
Rangachari Mohan, who went onto become “Crazy” Mohan.
Even though S. Ve. Shekher introduced me to Mr. Crazy Mohan, I moved onto Mr. Mohan for my Tamil humor soon after.
Many seeds of my humor were sown by Crazy Mohan. Even before I learned that there are specific terms called “wordplay” and “pun” for the kind of humor that came naturally to him, I was digging his humor, both knowingly and unknowingly. Crazy Mohan was original, authentic, and there was something childishly naughty about his humor, like he was always exploring. His humor was sometimes silly and sometimes profound. But always exploring. That made his humor work instantly as well as in a repetitive manner.
It was 1989, when Apoorva Sagodharargal was about to be released and I may have gone out for a game of cricket with my local friends. On our way back home, we walked past the theater where the movie was going to be screened in the next few days. A friend in our group, stopped us in front of a ‘wall poster’ of the movie and started talking about the crew behind this movie. Not actors or actresses. But the crew. He said how much he, an ardent Kamal Haasan fan was looking forward to his screenplay in this movie, how great a director Singeetam Srinvasa Rao was and why it was a big deal that he was part of the project. Then, he went onto talk about “Crazy” Mohan, and how this could be an interesting combination as he was new to the film industry (he had worked briefly on a K Balachander movie before that — “Poikkaal Kudhirai”). I certainly was familiar with Mohan through his plays, but had no idea what to expect from him through this movie. Somehow, this friend eloquently waxing about the crew of Apoorva Sagodharargal that day made a huge and a lasting impact on me.
So, right from that first big “Kamal Haasan – Crazy Mohan” combination, I was drawn to his style of writing, his genius wordplays, and his amazing chemistry with Kamal.
I do not intend to go on and on to talk about all the rib-tickling one-liners, and the mad rides he took us through in each film he did with Kamal Haasan in this post, but as I process the tragic news of his passing away today, I can’t but think of how much I owe him for all my laughter.
The only way one can pay tribute to the legend of a comedy genius like Crazy Mohan is by celebrating the abundance of humor that he has gifted us with.
So, I decided to start the day with the “Munnadi-Pinnadi” scene from Panchathanthiram and I probably will end the day with the “Mean/Fish (மீன்)” comedy from MMKR.
I mean..Is there a better way?
There has been no one who effortlessly made me laugh harder and louder through movies like Mr. Crazy Mohan did and for that I will always be grateful.
So long, and thanks for all the fish, Mr. ‘Crazy’ Mohan!!